The Concept of Cultural Journalism: What the Editors in Latvia Think They Do When Doing Cultural Journalism
JOURNALISM, AUDIENCE AND ETHICS
Ilva Skulte
Published 2015-12-07
https://doi.org/10.15388/zt/jr.2015.8.8842
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How to Cite

Skulte, I. (2015) “The Concept of Cultural Journalism: What the Editors in Latvia Think They Do When Doing Cultural Journalism”, Žurnalistikos tyrimai, 8, pp. 38–69. doi:10.15388/zt/jr.2015.8.8842.

Abstract

Cultural journalism is a matter of current discussions in jour­nalism theory and practical research. As a relatively small and specific area of journalistic practice, it operates in the intersection between media, culture in general, and arts and creative industries. The complexity, heterogeneity and variability of the field is determined by the major changes transforming all three intersecting areas – the new media, diversity of genres and the au­dience practices that characterize contemporary communication; liquidity and hybridity is a mark of the global postindustrial society, whereas art is more and more framed by the rise and convertibility of the concepts of crea­tive class, production, and capital. The self-reflection, conceptualisation of their work and the object of report and reference – culture – by the editors and producers from the Latvian cultural media outlets and departments is the topic of this paper. The main conclusions are that their concepts of cul­ture, cultural quality, and journalistic production, as well as the goals and principles of their work largely differ depending on the type and format of their medium. However, what unifies most of the respondents is the lack of more abstract conceptualisation of the complexity of the field and its social contexts with all the potential consequences for their work and the field of culture in general.

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